| |
| |
|
Music Information |
|
|
|
Music Industry Insider: Tess Taylor of NARIP and LAMN
Members of LAMN (founded in 1988) and NARIP (founded in 1998), are able to more quickly gain the insight, knowledge, and contact information they need for career development and career enhancement. The success of both organizations extends well beyond their names - both LAMN and NARIP have members across the country and around the globe. Offices have opened in Canada, New York, and London, with additional cities getting in line. Prior to Taylor's development of these influential organizations, there was no formal entity that addressed the educational, networking, or mentoring functions necessary to nurture a new generation for the music industry. Each of these factors is important, but there is no doubt which one Taylor values most: "Networking is what this business - all business, really - is about," she states. "If you want to get ahead, you've got to know people. You can be a genius but remain entrenched in obscurity and poverty unless you get out there and let people know who you are." LAMN: LAMN is a multifaceted resource for newcomers to the music business, as well as an avenue for students to learn more about the industry and how they might break into it. LAMN sponsors industry gatherings, workshops and seminars with top executives from all areas of the music business. NARIP: To qualify to become a member of NARIP, you must be a professional in the record industry. "I realized that, beyond organizations like the Recording Industry Association of America (RIAA) which is a lobbying body that focuses on legislation, there wasn't an organization that served the needs of those whose careers are completely in the record industry," Taylor stated. The Beginnings. "The idea for the Los Angeles Music Network goes back to my first job in the business, with Avalon Attractions, a big concert promoter in Southern California," says Taylor. "Every spoke of the music industry wheel comes together to make a concert happen. Here I was, fresh out of college, and I had access to just about every possible type of professional - from radio to press to record company personnel, from artist managers to the artists themselves." Taylor looked around for an association through which she could meet the people she interacted with on the phone. "I was very surprised not to find anything of real value, so I started putting together little meet-and-greets among the people I was dealing with," she says. "At first, there were only about three or four of us, but it grew. That was the seed that led to my building the professional relationships I have today, not to mention the Job Bank and my mailing list. It's the best in the business." Some of what LAMN and NARIP do overlaps, and Taylor regularly employs NARIP members for LAMN panels and other functions, and to mentor LAMN members. However, she is keen to provide the right kind of experiences for each group. For NARIP members, her approach is to take on a continuing-education role. "We should never stop learning and, no matter how much experience we may have, there's always something else or another point of view that we can absorb and appreciate," Taylor says. Pianist-turned-executive: A classically-trained pianist, Taylor is also is an instructor, music business lecturer and speaker at institutions such as the Harvard Business School, New York University, the Caltech/MIT Enterprise Forum, Berklee College of Music, University of California Los Angeles (Entertainment Studies & Performing Arts), University of Southern California, Academy of Contemporary Music (Guildford, London), California State University at Chico, Middle Tennessee State University, Music and Entertainment Industry Educator's Association International Symposium (2000 and 2002), University of Hawaii, California State University at Pomona, the Pepperdine University School of Business and others. A popular guest speaker and participant in industry conferences internationally, she served as Conference Chair for Musicom4, a music technology symposium (1998), and as keynote speaker for Berklee College of Music Summer Conference (2003) She is a consultant to InsideSessions, a joint venture between the Universal Music Group and Penguin Putnam, and sits on numerous international charity and industry boards of directors. She is a frequent talent judge at US and international talent competitions and has recently participated on panels for Universal Talent Prague (Czech Republic 2003) and for the Golden Magnolia International Song Festival (Baton Rouge 2003). As a writer and contributor, her analyses have appeared recently in Billboard Magazine, Radio & Records, USA Today, Newsweek, Source Magazine, the Chicago Sun Times, the Los Angeles Times, the Los Angeles Daily News, Daily Variety, Musician Magazine, Wired, Lip Service Magazine, Los Angeles Business Journal and wire services such as Reuters Ltd., and in international business press (Capital Magazine [Spain], Challenges / Le Nouvel Observateur [France]). She has been a featured expert on National Public Radio's "Hollywood Wrap," the Fox News Channel, Samm Brown's "For The Record" on KPFK 90.7-FM, Ira Fistell's talk radio program on KRLA 1110-AM and in other news media. Contact: Tess Taylor can be reached at (818) 769-7007 or via email at tess@narip.com. Scott G (The G-Man) writes and produces radio commercials from G-Man Music & Radical Radio. With albums on Delvian Records, iTunes, Amazon, and many other online stores, he also composes music that is played in clubs, on college radio stations, and on commercials. A member of NARAS (the Grammy organization) and NARIP (National Association of Record Industry Professionals), he writes about music, advertising, marketing, communications, advertainment, and digital distribution for the Immedia Wire Service and MusicDish.com. Samples of his songs and commercials are on his site at: http://www.gmanmusic.com
MORE RESOURCES:
Google News |
|
|
|
RELATED ARTICLES
Who's Playing What? A Guide To The Guitars Of The Pros Eric Clapton performs his slow-handed magic on his. Even with just nine fingers, Jerry Garcia kept countless Deadheads dancing as he played with his. Creating Stark Atmospheres One of the things New Age pianist George Winston is known for is what he can do with just a few notes. In fact, in his piece Colors/Dance from the CD "Autumn" he uses an ostinato pattern in his left hand to create a wonderful stark mood. Does Your CD Cover $ell (Or Suck)? Oh, I know the last part of the title (Suck) isn't a very pleasant description to apply to anyone's CD cover. But, in the interest of plain old honesty, and to face our demons head on, I wanted to (again) utilize a worst case scenario that we can only improve from. The Future for Independent Record Labels Small independent record labels are facing a different fight today to obtain a share of the music industry. The best possible means in which small labels were able to get their CD's sold vanished in 2003 when Southwest Wholesale Records and Tapes closed the doors. Improvising On The Piano: Jazz Musicians Do It -- Why Not Other Styles? Why jazz piano improvisation?Why not gospel piano improvisation?Is it not possible to improvise classical music, or sacred music, or any other kind of music?Bach improvised many of his fugues and inventions while playing organ in church. Many others in all musical styles have improvised within the context of their own persuasion. Self-Expression Without Criticism When I was 9 years old I played the Saxophone and thought I was pretty good at it. Unfortunately, I had a teacher who didn't think so and he went out of his way to make sure I knew how he felt. How To Play Piano Using Chord Symbols Chord symbols (for example, Fm7, Cmaj7 or G6) are a type of notation used frequently in jazz and other areas of modern music to notate chord progressions and changes. This type of notation differs from that of classical music in that chord symbols don't show the function of a chord the way the Roman numeral notation does. Open Position Piano Chords - Perfect for the New Age Style The Open Position Chord (OPC) allows you to create a vented sound. A sound that is open, literally, as opposed to the closed triads taught in most course books. CD Mastering using Har-Bal Feel free to download the entire manual detailing the mastering process from Har-Bal complete with pictures of all the tools needed to create a great sounding mastered cd .http://hdqtrz. CD Clubs: How to Get the Best Deals Online (1) The BMG Music Service offers the best deal you'll find -- 11 CDs for the price of shipping ($2.79 each) when you buy one CD at full club price, which is typically about $15 plus shipping. Micing a Kick Drum This months tip deals with micing kick drums.You wouldn't believe how many people ask me about micing their kick drums. Music Bytes - Tips For Saving On Professional Software For Musicians, Part I If you are outraged by the prices software giants demand for their tools, it's time to check out shareware. Small independent developers often provide similar solutions that cost three to five times less AND you get to try them before paying. How to be Creative at the Piano So you want to be more creative when playing piano. Many students wish they could just sit down and improvise their own music but don't know how to begin. Does Reading Make Music? When you read music you are deciphering the printed page and transferring the information to the keyboard. You might say that you are decoding what the composer or arranger put on the page . Music & Citizenship: Can Playing a Musical Instrument Help Your Child Become a Better Citizen? Disregard the popular image of rappers with their ghetto blasters, terrorizing neighborhoods with eardrum-splitting cacophony. Consider instead our delightful school bands and orchestras? and ponder on whether those students might be becoming our best future citizens. Learn to Play the Piano Rocket Piano is a very professionally done piano lesson package. It includes a number of ebooks, audio tracks, and video tracks to support the instructional material. They Laughed When I Sat Down at the Piano... but When I Started to Play... Remember the old ad that used to run endlessly in magazines and newspapers:"They laughed when I sat down at the piano.. So You Want to be President? Learn to Play a Musical Instrument! President Harry S. Truman, the man in the White House when the United States intervened on behalf of the millions of innocent people who were being displaced and massacred by Hitler's Nazi Germany, claimed to have practiced his piano lessons for two hours every morning during his childhood. Modal Theory for Guitar Players - Part 1 IntroductionThe fact that you are holding this in your hands suggests that you have got to the point in your explorations of, and curiosity about the guitar that the next step is the modes. Maybe it's because you have read somewhere that Steve Vai loves the Lydian mode, or you have listened to music by Frank Gambale and wondered what he was up to. Effective Band Rehearsal If your band is in rehearsals, either preparing for gigging, or practising new songs to add to your repertoire, the chances are you will have to hire a rehearsal room. The costs of hiring a room can soon mount up if you don't organise your time effectively.
|
| home | site map |
| © 2006 |
